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“... when Eduardo goes down on me, I wrap the cord around his neck until he begs me for mercy.’ Kate Pullinger is altogether more low-key and sequential, and solemn to a degree. Her disaffected young exchange views on the state of London, England and the world in lugubrious tones. There are passages, whole pages, of a flatness so incredible (‘They ...”

“... vignettes which describe our universe without ever actually daring to disturb it. Dora, one of Kate Pullinger’s protagonists in Tiny Lies, is in the habit of embarking on fact-finding missions. Instead of facts, she stumbles upon a series of mysterious messages, at least one of which has a programmatic Post-Modernist ring: ‘THERE IS NO SUCH THING ...”